I can't believe I'm not the only person to have ever read this book. I read it first when I was about 10, around 21 years ago. It has always stuck with me. But every time I've ever told anyone about it they've never heard of it. It was such an imaginative book, I felt like I was actually there as I read it. I've been drawn back to it over the years and I believe it is still at our local public library, but I've never had a copy of my own. I would love to know where I could get a copy. It's too bad a book this good is so hard to find.

It's a story that somehow captured my imagination so fully that it left me in a state of wonder.. I was very young when I last read Under Plum Lake, but I can't seem to forget the impact it had on me, so long ago. I too hope to someday share this book with my children, for few books manage to paint a more magical picture so vividly in the mind. When I think about it I feel deep nostalgia, and I'll keep looking until I find a copy for my own.

I read this book in 1986, having borrowed a copy from the Public Library in Bristol, UK. I was immediately and totally enraptured by the world portrayed below Plum Lake. I felt then and now that this is how the world ought to have been! I can't explain it but I just can't get this book out of my head and have been desperately searching for a copy for about 3 years now, as I feel something approaching an urgent need to re read it. I was stunned to see a copy listed on the Amazon web site but so disappointed that it is out of print. I am also amazed to see that I am not the only one on whose imagination this book has made such an astounding impact.

If anyone can get hold of a copy PLEASE let me know!

Charlotte Bronte was the productive sister. Emily Bronte graced us with one powerful, brillient masterpiece. What about Anne, the forgotton Bronte sister? The Tenant of Wildfell Hall proves Anne Bronte has no trouble matching her sisters in talent. Brilliently executed, this novel engrosses your mind, leaving it immune to distractions.

This novel begins through the eyes of an English countryman, Mr. Markham, and continues switching to the viewpoint of Helen, a mysterious newcomer to Mr. Markham's small gossip-ridden community, and then back to Mr. Markham. The entire book is in first-person narrative- an excellent oppertunity for Bronte to flex her descriptive muscles. I found the characters to be well-developed and symbolic, especially Arthur Huntingdon. At first we are led to despise him, even wish for his death, yet as the story unfolds we pity him, even understand why Helen once loved him.

Bronte's message is clear- society torments women. This book is bold in it's suggestions, considering it was created in 19th century England. I suggest you buy it; it is a book to read more than once

'The Tenant of Wildfell Hall' is written by the least remembered Bronte sister. Many people at the time, including her sister - Charlotte, thought that this book tackled inappropriate subject matter, but I disagree. It is a passionate book about a woman's struggle to free herself and her son from her dissolute husband. She flees to a broken down mansion where she attracts the attention of a young farmer. In order to clear the gossip surrounding her dwelling in Wildfell Hall, she offers him her diary to read, which takes up the main part of the narrative. This book is extremely readable and deserves much more attention than it actually receives. The female protagonist is a likeable woman, whose plight obtains sympathy with the reader. It has been described as a feminist book, before its time and when Helen Huntingdon shut the door on her husband it 'resounded throughout the whole of England'.

Anne is the Bronte we never read in school and most of us don't read afterwards, which is a big loss for those who don't, because she's at least as talented as her two older sisters. "The Tenant of Wildfell Hall" can hold its own against "Jane Eyre" or "Wuthering Heights" any day in the week, but it was panned in its own time, in large part because of its "unladylike" topic of alcoholism. Anne Bronte knew alcoholism first hand through her brother Bramwell who drank himself to death, and her revulsion of the alcoholic personality is central to this book. The heroine of "Tenant", Helen Graham, is a headstrong and independent young woman, who marries Arthur Huntington against the advice of her family. She is one of those who loves not wisely but too well, because Arthur, a selfish and irresponsible womanizer, cares about nothing but satisfying his own wishes and desires. Helen wants to help Arthur turn his life around, which Arthur couldn't care less about, and his drinking and adultery right under her nose eventually repels her to the point where she despises him as much as she once loved him. It is only when she sees him attempting to influence her young son to become a chip off the old block, that she realizes her responsibility as a mother to save her son from his father trumps her duty as a wife to stand by her husband. With the help of her brother, she runs away with her son to the anonymity of life in a small village. Here she meets Gilbert Markham, who falls in love with her, but realizes that their relationship has no future as long as her husband is alive. Arthur's ultimate death from alcoholism not only frees Helen from an abusive and degrading marriage, it also leaves her free to find happiness with Gilbert. Anne Bronte pulled no punches in writing this book and that is probably what so perturbed readers of her own era; too bad for them, because they were unable to appreciate this book for what it is, one of the unrecognized classics of English literature.

Bernard Cornwell's 'Richard Sharpe' series is one of the best historical fiction series ever written, and to have a new Sharpe adventure is a pleasure! Even better is to now have an adventure of Richard Sharpe's younger soldiering days before Wellington promoted him to Lieutenant in 1809 Spain, to read of Sharpe's adventures in India, and it is my hope that Mr. Cornwell brings us more of Sharpe's adventures in India (although I will miss reading about Sharpe's escapades,adventures, and battles with Sergeant Patrick Harper at his side). SHARPE'S TIGER, although an adventure in itself to be read at any period in the SHARPE series, is another wonderful way to introduce readers to Richard Sharpe, the best damn soldier ever in the British Army, now or ever!

I really have to hand it to all the positive reviewers for this series and this book in particular; you are right. Sharpe is outstanding and I can't wait to read more of the series. After months reading positive reviews of some of the earlier books in the series (and by earlier I mean those that were published first in time) I decided to give Cornwell a go. What I expected was a rip roaring adventure and I was not disappointed. In fact, I was esctatic! Believe everything good you read about Sharpe's Tiger: the book is fun without being light. Cornwell includes some very helpful maps and his prose is extremely colorful. He is particularly good at describing battle scenes and dialogue. Expect to finish this book at record time; its not short, its just that you will want to read just one more exciting chapter. Now, if only movies could be this good!

This is the first Sharpe novel I've read and what a mistake it was to wait so long. My general avoidance of fiction, especially of the serial nature, caused me to foolishly ignore this series. Sharpe's Tiger was a mixed blessing: Yes, I loved the book, but as another reviewer warned, I am now addicted. Thankfully, I picked the right book to start with, this being the first chronologically in Sharpe's military career.

Now, rather than go into detail about the plot and characters (which have been adequately covered in other reviews) I wanted to underscore how impressed I am with the historical accuracy. Cornwell has been first rate in his attention to detail and in describing the conditions of military life in the British Army of the period, even in drawing distinctions between regular army regiments and those of the British East India Company.

But even more impressive is the amount of research that must have gone into writing such a novel. With historical fiction you always have people such as myself looking for errors and making pedantic statements like, "But the 52nd Regiment of Foot was never involved in the attack on Java". But Sharpe's Tiger, and presumably the rest of the series, is meticulously researched. Probably not one person in 10,000 has heard of the battle of Mallavelly (the only reference I have found is in Vol.4 of Fortescue's History of the British Army which is, sadly, long ago out-of-print) yet Cornwell presents a robust picture of this engagement.

Being particularly interested in the Peninsular War (the setting for many of the other Sharpe adventures), I was elated to finally discovered what so many fans of Cornwell had known for a long time: The Sharpe series, like Hornblower, is sure to be a classic of this genre.

This book is not only beautifully written and perfect for all ages, "The Princess and the Goblin" is also morally strong and uplifting. Children of either sex will be interested in it, with a loving and beautiful grandmother, a strong and intelligent young girl, and a young boy who is intent on protecting his loved ones and uncovering the evil goblin plot. I have read this countless times, and each time I discover something new. The sequel, "The Princess and Curdie," is also worth reading. I love this book!

So you love C.S. Lewis' Narnia Chronicles? There people who don't are few and far between. One of the biggest influences on C.S. Lewis was this man, George MacDonald (1824-1905). It was MacDonald's talent for telling fairy stories that inspired Lewis in writing his own. Like Lewis, MacDonald has a remarkable ability to tell a delightful and enchanting story for children, layered with strong Christian themes and imagery by means of allegory and symbols. 'The Princess and the Goblin' is one of his most beloved works for children, and an excellent introduction to his style and success.

'The Princess and the Goblin' features a heroine ' a princess called Irene ' and a hero ' a simple miner's son called Curdie. While working overtime in the mines to earn money to buy his mother a red petty-coat, Curdie chances upon the goblins who live in the mountain, and discovers that they are hatching an evil plot against the king and his palace. Meanwhile the princess makes a discovery of her own ' high in the castle she finds a wonderful old lady who is her great-great-grandmother. The problem is, nobody else knows of her grandmother, and nobody believes her. But the princess does believe, and it is by her faith in her grandmother and the magic thread that she receives from her, that she is able to rescue Curdie. Together they rescue the entire palace from disaster at the hands of the goblins.

In telling the story, MacDonald has an enchanting conversational style, wonderfully suitable for reading aloud to enraptured children ' an ability perfecting in telling stories to his own eleven children. But 'The Princess and the Goblin' is more than just a story. Before pursuing a literary career, MacDonald was a Congregationalist minister, and so integrates important underlying Christian themes. Believing in the great-great-grandmother despite the fact that many cannot see her, is a symbol of believing in God. MacDonald uses this to show how the Christian faith involves believing without seeing, and that not everyone has to 'see' something for it to be true. The grandmother's lamp and magic thread are the guides on which the princess must depend, much like the Word which is a lamp on our path. It may sound tacky, but it works.

Children are not likely to grasp the deeper underlying themes that MacDonald is working with. Nonetheless the story has a clear message for children. The clear conflict between the royal powers of light against the goblin powers of darkness is unmistakable. Moreover, the princess is presented as a model of virtue, and MacDonald frequently asserts the importance of moral virtues such as always telling the truth, keeping your word, and admitting your faults ' moral virtues that are equally important for princes and princesses of God's kingdom. Courage, honesty, grace, dignity and beauty are timeless ideals for children of all times to strive for. If you love Narnia, you're sure to like this one, and you'll find yourself quickly grabbing the sequel, 'The Princess and Curdie.' 'The Princess and the Goblin' was one of J.R.R. Tolkien's childhood favorites, highly regarded by C.S. Lewis, described by W.H. Auden as 'the only English children's book in the same class as the Alice books', and generally considered as a classic example of nineteenth century children's literary fairy tales. So if you haven't yet read this book, it's about time you did. With admirers such as Tolkien, Lewis and Auden, if you become a MacDonald's admirer you'll find yourself in good company!

I cant believe I haven't read this untill now, its such a great book! A princess lives in a castle all her life, never knowing of the great dangers that go on in the mountain. One day(being about 7 years old) she finds a stairway in her house that she has never seen and it leads her to her great, great grandmother. After she meets her grandmother she is shown the dangers of the goblins and meets a boy named Curdie who mines in the mountain with his father. Throughout the book Curdie and the princess have many encounters with the goblins. This is a great book I highly recommend it for readers of all ages.

Some nine books into his Napoleonic series, Cornwell pauses here to return to the beginning of Sharpe's association with the 95th Rifles. In 1809 French forces were sweeping the British out of the Spain in a full retreat to Portugal. Sharpe is a Lieutenant, and a lowly quartermaster at that, but through a series of mishaps and skirmishes, he finds himself in command of the tattered remnants of a Rifle Company cut off from the main British army. These men, led by the indominitable Irishman Harper, are demoralized, distrustful of Sharpe, and waver on mutinousness. We see his first clumsy attempts at leading men, as he tries to get them to safety. Their momentary alliance with a Spanish Major who is escorting a mysterious strongbox only leads to more trouble as the combined forces are dogged by a unit of French Cavalry intent on capturing the box. Of course, over time, the contents of the box are revealed and a thrilling city battle is fought. We also see Sharpe's first awkward falling in love, with the niece of some British missionaries (who provide some of the most comic moments in the entire series). It's a good prequel to Sharpe's adventures in the Peninsular Wars, and while it makes a logical place for newcomers to start the series, it might actually be more fun for those who have already gotten to know Sharpe and Harper.

Firstly this is an exellent book like all of the others in the sharpe series.It is hard to believe ,at the start ,that the Chosen men will one day respect and like sharpe,especially harper who really gets off on the wrong foot with sharpe,but will one day be sharpes best friend.sharpes objective is to find the armys missing banker,and is put under the command of major dunnet and captain murray who are both, along with most of the search party massacred by french cavalry, luckily sharpe and the chosen men survive.sharpe is left in an awkward position, with both other officers dead ,because the chosen men do not see him as a 'proper' officer.Fourtunately he joins forces with a group of spanish guerrillas, and finds he has another objective,to raise the banner of saint james to boost the morale of the spanish so they rise up against the french.
This storry is an amazing adventure and a great read and i'd reccomend it to any one!

I finally picked up "Sharpe's Rifles" months after having the series recommended to me by a friend. I wish I hadn't waited. Although I read a lot of military fiction, I have never read anything about the Napoleonic wars. Cornwell actually brings the battles to life, from the cries of the dying and wounded to the smell of the smoke of the battlefield. All of the cahracters come to life, and are exemplary of the kind of lives lived by the soldiers and officers of the era. It is obvious that Cornwell did his homework here.

Richard Sharpe is a well developed character, an everyman that developed not only into a super warrior, but also into a superb leader of warriors.

In this novel the author gets right down to the story, and wastes no time getting to the heart of the story. The writing is straightforward and clean.

Highly recommended

The Count of Monte Cristo is the kind of book that the author has a wonderful idea, but has the thought spread too thin over the novel to keep the reader's attention. Alexandre Dumas is an excellent writer but seems to accentuate too many subplots that are unimportant. He also focuses on numerous small and confusing characters.
The basic plot, is about human nature, particularly revenge of a young man named Edmond Dantés. At the age of nineteen, Dantés has a series of important events happen to him. He is convicted of being a Bonapartist by two jealous rivals. He is unable to marry the lovely Mercedes and he is no longer capable become captain of the Pharaon, the merchant ship, on which he used to work on as a first mate. He is thrown into the notorious dungeon, Chateau d'if, for fourteen years. He escapes with a large secret: the map to the famed treasure of Spada. Naturally, he'll use it for his revenge. As they say, the rich can do anything.
The book has so many intricate subplots and minor characters that the real plot seems to be lost in a hurricane of court intrigues, treasonous affairs, and numerous social gatherings. There are at least nine chapters concerning meals and balls, ranging from brunches to dinners, suppers to breakfasts, from a mere ball to a summer ball, and everything in-between. If you understand the difference between a baron and a count, then these things would obviously make sense, and may even be interesting to you. If you don't know the difference, prepare to be a little confused.
Getting to the action takes a while, but when it comes, Dumas gives you a good read. From being captured by bandits, meeting Dantes's old fiancé (who is now married to his arch rival and has a child), to getting even with all those evil men who planned his imprisonment. Although, if you're not at the action yet, get ready for a long, not-so interesting read. Dumas, still manages to throw in some unimportant details and small talk in-between the action. You can't just go skipping around the book, because there are too many important details embedded in the small talk. If you don't read every word, I guarantee you'll get lost.
This book is jam-packed with murderous action, so if that sounds good to you, you should consider reading this book. If you are looking for a challenge then this is a book for you. We recommend this book to older, more advanced readers.

The Count of Monte Cristo is the best book I've read in quite a long while. I wasn't expecting it to be. Frankly, I tend to have low expectations for 19th-century European novels in regard to sheer readability. Like vegetables and trips to the dentist, they tend to be more good for you than simply good. Add in the fact that the unabridged version is over 1000 pages, and I felt sure that the Count would be a somewhat difficult companion.

Nothing could be farther from the truth! Edmond Dantes' adventures kept me fully engrossed from beginning to end. I was disappointed to turn the final page, left longing for more.

If you've seen a movie version of Count of Monte Cristo, expect surprises. I had seen both the Richard Chamberlain and Jim Caviezel versions before reading the book (mmmm . . . Jim Caviezel), but neither were entirely true to the storyline or the mood of the original.

Edmond himself is a thoroughly satisfying and seductive hero. (The reader must take with a grain of salt the numerous references to his drug habit; at the time, opium was unfortunatly de rigeur for a Romantic hero.) The secondary characters are equally engrossing, from the admirable Maximilian Morrel to the villainous Danglars; and the ingenious machinations by which Edmond contrives to reward the deserving and doom the guilty make the chapters fly by.

I would encourage everyone to be sure and get the unabridged version of this masterpiece. It is by no means slow or ponderous, and the thought of what must be left on the cutting room floor to reduce this book to half its size makes me wince.

After watching the movie and then finding myself compelled to read the book, I wrote a review for the DVD version of this great classic by Alexandre Dumas. I did give the adulterated movie 3 stars, even with its deviation from the far superior storyline of the novel (this story does not lend itself to being told in a 2-hour movie). But rather than 3 stars, the book is well deserving of 5, and then some. The tale of the Count is one of heavy, dark intrigue. This is not light reading, and the story will tax your patience and demand of you significant time and concentration if you are to mine its riches. Those with an attention span of a six-year-old need not apply, although any person, young or old, who yields to the lessons being lived out will come away from this book with impressive knowledge regarding the pitfalls of willful ignorance, deceit, and pride; and hopefully a better appreciation for justice, compassion, and love. As for the story itself, Edmond Dantes, a young man of considerable good character, finds himself wrongly imprisoned under dreadful circumstances. He eventually is tutored in prison by a man with extraordinary wisdom-just as the reader is tutored without realizing it as he reads the unfolding chapters. Edmond loses all, gains eternal wisdom and insight, and then begins his true journey into lands where friends and foes experience his heavy influence. The story is one of desperation and deliverance, defeat and despair, and ultimately of triumph at an awful cost. Spiritual applications abound throughout as learned from within dungeons to palaces, and our notions of justice and mercy are sorely tested as a wronged man loses all and then begins to execute what he considers to be, and may well be, God's judgment. If you dedicate the time and attention that this book deserves, you will not be disappointed. If you want to speed-read and add another title to your library card, save your efforts and do not insult the worthwhile messages that this book can bring to the soul. I say soul, but for those with spiritual understanding, the better term is spirit, for this is above all a spiritual book if you have that kind of understanding. The movie alludes to it; the book embodies it. Having now read the book and carefully endured the more tedious portions to ensure that I missed little, I can only say that we do ourselves much disservice by not committing the time to study works such as this. Love, hate, revenge, mercy, justice, and forgiveness are explored in detail in the lives of Edmond Dantes (the Count) and his friends and foes. This complicated novel is unbelievably rich in its timeless spiritual lessons.

Wow, was I ever surprised as all heck when this novel ended up being one of the greatest I've ever read. Not having too much background on Roman history, my preliminary thought was that I would be turned off after reading the first fifty pages. However, that thought was soon contradicted, and I found myself staying up an extra half hour every night just to see the following events.

I, Claudius is, without a doubt, a masterpiece in historical fiction. Much like Lonesome Dove, it made me more open-minded towards different types of literature. It has its own intellecutal wit, superfluous yet absorbing description, and a great storyline. Graves does a superb job at expressing the bad people surrounding Claudius (Livia, Tiberius, Caligula) and the good (Postumus, Augustus, Germanicus). I'm sure this wasn't an easy novel for Graves to write and it's an example of extreme determination and research.

Those reasons can be accountable for it being considered one of the greatest American novels of all time. However, there are certain aspects about it that some overlook. Take the character of Claudius. Though the customs and culture of Ancient Rome are far different than that of late 90's America, the position of Claudius is not. He is an outcast. People look towards him with disgust and make fun of his disabilities. He is barely given any chances and does not exactly have the greatest family life. Yet in the end, he does prevail as Emperor, even though he does not want to be. Let a teenager with tolerance and time read this novel, and most likely they will see how Claudius can relate to many others nowadays. Claudius, I believe, is one of the most dignified and respectable characters in literature. In spite of the harsh criticism, he remains resolute and loyal.

I guess that's it. So I end with saying that this novel is a sure pleaser. HIGHLY, HIGHLY RECOMMENDED. I still have yet to read CLAUDIUS THE GOD.

There isn't a single negative comment that can be raised against Robert Graves' magnum opus, the "I, Claudius" series. The work is sublime, transcendent, spectacularly well-written...and always engaging. Every page is dripping with humor and intrigue, kings and pretenders, savages and aesthetes. This is the quintessential work by an amazing classicist, scholar and man.

"I, Claudius" recounts Imperial Rome (from Augustus to Nero) from the perspective of a stuttering, half-lamed, studied dim-wit, the Emperor Claudius. Using Suetonius and Tacitus as his main sources, Graves constructs a marvelous narrative of the precocious and turbulent time that was Rome's imperial birth, childhood and adolescence. Certainly, Octavian (later Augustus) was the father of Imperial Rome, but it is with plots and debauches of subsequent rulers that Graves' story really comes alive.

At the close of the first book, we're presented with the death of the completely deranged, self-styled god, Caligula, and the rise to power, as long prophesied, of Tiberius Claudius Drusus Nero Germanicus (Claudius), the "fool" of the ancient Claudian family, the stammerer...and, at long last, the Emperor of Rome!

Reading Tacitus and Suetonius, it's easy to see why Graves would be inspired to fictionalize such a history. The pages...these so-called histories read like tabloid sensations, military annals and superstitious prayer books all rolled into one. Graves does a marvelous job of capturing the essence of one of the most famous periods in Western history.

Livy, Tacitus, Suetonius, Pollio: eat your heart out. Graves wins the day!

The book was given to me by my sister, who's just secured her M.A. in art history. She raved about the book and I honestly was not interested in reading it. However, this season's Hollywood release of GLADIATOR motivated me into understanding the machinations of Roman Imperial life. I read the book in three sittings! Absolutely amazing; the clevely written anecdotes thunder through today's "not-so-advanced" society.

The three mediums of film (GLADIATOR), TV and printed text collide into an zeitgeist epiphany: after reading this masterfully crafted tome, we may analyze the recent pop culture phenomenon, CBS' SURVIVOR, as "more of the same" in human nature. Humans adore intrigue, scheming and interpersonal conflict.

Robert Graves' sequel, CLAUDIUS THE GOD, will likely be devoured with equal literary relish.

This book would also serve as a colourful source for students of history, politics, psychology and anthropology.

Romanov.... that is a very powerful name... and yet, it is just a name, you were either born with it or you weren't... but for the simple fact of bearing this name, many people had to die... and yet it is just a name. It is a name that says POWER, LOVE, INTRIGUE, MYSTERY, ESCAPE, TRAGEDY.... but it is also a name that for Nicholas, Alexandra, Olga, Tatiana, Maria, Anastasia and Alexei meant FAMILY, and as a family they stuck together, through illness, war, infamy, and even death.
This book tells an incredible love story, that could beat any novel out there, and proves that life is always more mysterious, magical but also more cruel than fiction. It portrays the Romanovs as a family, and gives you an insight on their lives, their thoughts, their letters, their friends and their sufferings. It also lets you take a peek at Tsarist Russia, its power, its magic, its fancies, its relations with other empires, and many other things.
Robert Massie is an expert on this subject, and you can see that a lot of research went into creating this book.
I gave it 4 stars and not 5 because it is a bit outdated when it comes to the finding and retreaval of the bodies, but this is covered in a latter book by the same author.
Highly recommended, especially is you like history.

This is generally considered to be the definitive biography of Tsar Nicholas II and his wife, Alexandra. Massie's expert storytelling is well-suited to the compelling story of the last Russian tsar and his consort. The history of Russia was no doubt changed by the deliberate myopia and general inadquacies of these two people. Nevertheless, Massie manages to uncover a more sympathetic side to the ill-fated duo. Massie's writing is as good as that of any acclaimed novelist - there's a fascinating and fastpaced plot, finely nuanced lead characters, an intriguing supporting cast, all against a beautiful background of a majestic bygone era.

This book was researched and written before the fall of the Soviet empire when the state archives were opened and new information about the Romanovs was revealed. Consequently, this book is necessarily incomplete, especially as concerns the execution of the royal family. Massie has since written another text called "The Romanovs: The Last Chapter" which devels deeply into the newly available data and the forensic studies that followed. Consider it an essential volume II to "Nicholas and Alexandra".

Most book lovers have a little list of super-favorites that they turn to year after year, and this classic by Robert Massie has been on my list for more than two decades. Massie brings the last years of the Russian Imperial court to astounding life, turning meticulously researched detail into a tapestry more compelling than fiction. You feel you've been there and met the Romanovs and the people around them, walked their halls, ridden in their trains, even faced their final terrors. Its as good as stepping into a time machine. How many times have I looked up from this paperback (I've gone through several copies over the years) and found that I've lost track of time. Recently, several lavishly illustrated books have come out with long-hidden photos of what NICHOLAS & ALEXANDRA describes -- gorgeous though those photo books are, they do not give you as powerful a sense of time and place as Massie's exceptionally readable prose. Details of Russian history, which could be ponderous for most readers, become lively and engrossing here. I love history, and no book in the genre pulls me back as often (or with as much satisfaction) as Massie's NICHOLAS & ALEXANDRA.

Ten young Florentine noblemen and women escaping the Black Death in Florence in 1348 entertain themselves by each relating a story per day for ten days - 100 entertaining stories in all, mostly set in and around medieval Florence. Although famously naughty, none of these stories strikes a modern reader as more than mildly erotic. Rather, they consistently astonish by their thoroughly modern message that women are as good as men, nobility doesn't come from birth, sanctity doesn't come from the church, and - above all - true love must never be denied. Amazingly, Boccaccio often delivers this message while pretending to say the exact opposite; sometimes he presents very sympathetic characters who get away with things thought scandalous in his time, offering a mere token condemnation at the end, while other times he depicts someone actually following the accepted code and committing some horrible act of cruelty in the process. Either way - and despite his claims to be upholding convention - we always know what he really means, and apparently he didn't fool too many people in his own day either.

But one doesn't need to focus on the revolutionary aspects of the Decameron to enjoy the book; each of the stories delights the reader with a different tasty morsel, and, you can read as much or as little at a time as you please. Once you get past the introduction, (and that's probably the most serious part of the book, so be sure not to give up before you get to the first story) the stories will make you laugh, make you cringe, and make you sit on the edge of your seat. Inspiring authors from Chaucer to Shakespeare and entertaining audiences for over 700 years, the Decameron continues to delight.

I had to read a good part of "The Decameron" last quarter and I have gone back to read more stories from it even though the Fall quarter is over. This is a great book: funny, entertaining, subtly revolutionary, insightful, and superbly well-written. Approach it without fear. It is a Classic, but it will have you laughing, thinking, and learning far better than any current best-seller. Anyone with an interest in journalism and/or history will profit from Boccaccio's Introduction, at the beginning of the First Day. His description of the Plague in Florence is vivid and gripping, and this eventually provides the background for the setting of the one hundred and one tales that seven young women and three young men will narrate in a villa away from the dying city. Also, the Introduction to the Fourth Day presents the reader with an unfinished, but hilarious story about a man who has been kept away from women. This story is what my teacher called the 101st, and I have to agree with her.

Do not think that all "The Decameron" deals with is sex. The mostly illicit sexual encounters depicted are some times funny, sometimes sad, but they share a common trait with the stories from the Tenth Day, for example (these ones are mostly about sacrifice, abnegation, and servitude), or with those of the Second: Boccaccio's concern for his society and the terrible tensions that had reached a breaking point by the 14th century. The Plague, in Boccaccio's universe, acts as a catalyst of emotions, desires, and changes that had to come.

Read, then, about Alibech putting the Devil back in Hell, Lisabetta and her pot of basil, Ser Ceperello and his "saintly" life, Griselda and her incredible loyalty in spite of the suffering at the hands of a God-like husband, Tancredi and his disturbing love for his daughter, Masetto and the new kind of society he helps create with some less-than-religious nuns, and then it will be easier to understand why Boccaccio is so popular after 650 years. And although it may be skipped by most readers, do not miss the Translator's (G. M. McWilliam) introduction on the history of "The Decameron" proper, and that of its many, and mostly unfortunate, translations into English. This book is one of the wisest, most economic ways of obtaining entertainment and culture. Do not miss it.

Giovanni Boccaccio THE DECAMERON. Second Edition. Translated with an Introduction and Notes by G. H. McWilliam. cli + 909 pages. Penguin Classics. London: Penguin Books, 1995. ISBN 0-14-044629-X (Pbk).

Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.

Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?

A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.

We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.

There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).

The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:

Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).

This novel has ideas, romance, violence, adventure, mysticism, and politics, so it can't be boring even if some reviewers complain about its slow start. Set in the middle of Nero's tenure in power, in the First century AD, it tells the story of Vinitius, a Roman military officer from a Patricious family with good standing at the court. He has the friendship and protection of Petronius, the Arbiter of Elegancy, a sensual, rich and cultivated man with much influence in court. Vinitius falls in love with the beautiful slave Ligia, who is a Christian living with a Roman Patricious family also converted to Christianity. Through his obsession with her, he gradually discovers the new religion and realizes the moral pit in which his culture has been decaying. Then Nero sets Rome on fire and Vinitius finds out that he'll have to rebel against the State in order to gain love. He is baptized and suffers persecution. Then he has to rescue his beloved from the Colliseum, just when she's going to be throwed in to the lions. The end is mystical and completely beautiful, and that's when you understand the title, which means "Where are you going, my Lord?", and is pronounced by St. Peter as he is fleeing Rome.

A very entertaining and rewarding novel, it is also a fictional testimony of the early years of Christendom. My favorite character is Petronius, a liberal, magnanimous and "cool" Pagan Roman who finds disgrace for protecting those he loves. very recommended.

Given that Mr Sienkiewicz won the Nobel literary prize for mainly this work, that alone is a pretty good bet for reading it. Written in the 1890's, this book is seen as one of the world's first "bestseller" novels, and is definitely an epic of, well, epic proportions.

Unfortunately, the book does suffer slightly as a result of the translation, as noted by an earlier reviewer, so if you can read Polish, do get the original version. Nevertheless, although the book starts off a tad slow, think of the beginning as a push off from a cliff, because after that it's as fast paced a thriller as money can buy.

A basic exposure to Roman and Christian history will make the book really come alive. Although certain "facts" are not correct, or have been omitted, remember that the book is meant to be fiction. The historical events are merely a platform for a passionate love story between a pagan Roman and a Christian girl. However, it is the seeming impossibility of this love, together with descriptions of the nearly moronic Roman "royal court", keeps you reading well into the night. The emotional roller-coaster makes you, the reader, feel exhausted.

Definitely recommended, and one of the most enjoyable books I've read.

If you liked this, do check out his other novels - especially the brilliant "Teutonic Knights" which is another epic of a young Polish knight (and of course a lovely maiden or two thrown in for good measure) and the history of middle ages Poland up to the battle of Grunwald where the Teutonic Knights were defeated.

Quo Vadis has impacted my life greatly. I have never seen a book that explores the Christian view on romance and early Christianity so clearly. It was nourishing and exciting. This is a character-driven story, and I don't see how anyone could put it down. The verisimilitude of Rome was astonishing! Hey, high school students, this is a great way to get a grip on how things worked in early A.D. Rome. Nero, Lydia, Marcus, and Petronius were unforgetable characters. This is love at its greatest! Romance the way it should be, unselfish and pure. The transformation we see of Marcus motives of love is the most piercing literature I've ever read. It has been a year since I've read it and I'm still raving about it! Hey, guys, this is a cool book for men to learn about love. I'm telling you, it is worth it!